Posts tagged “art

Villa Amistà, Verona – Byblos owner has created a ludicrously good hotel.

Review:
I’m going to resist the temptation to post lots of photos of this hotel, and would recommend that you don’t look at the website too deeply (or at all) before you book, leave it as a surprise…
To have somewhere like the Villa Amistà sprung on you after a particularly long and harrowing journey, is disconcerting to say the least. Our concierge service had booked us in earlier that same day after we could only find one rather depressing hotel on Lake Garda that was open in February, and had suggested that Verona was our best bet.
We were told the hotel was in a refurbed villa, and housed a large collection of modern art. What she should have said was, “I’m booking you into this hotel – it’s completely bonkers, but trust me, you’ll love it.”
It’s as if a madman had got control of the Hadron Collider and decided to see what happens when he placed a 15th century Italian villa complete with contents, a bunch of paints and a hiccuping Murano glass blower inside and thrown the switch. The result is startling.
I must admit that when I first walked in, drained and jaded from the schlep from Milan via Garda (many times via Garda in fact, but let us not revisit dark times), I did think “Holy Crap, what the f**k has our lifestyle manager done to us? This place is preposterous.”
To say that it houses a collection of art is an understatement, it is in it’s entirety one carefully constructed installation piece. It’s vibrant, irreverent and whimsical, but there is also a strong vein of elegance running throughout. Dino Facchini owner of Byblos houses a big chunk of his personal art collection here, and he uses the villa to showcase all the pieces of his Byblos Casa operation, so you can walk out with an armchair if it takes your fancy.
Rooms: We stayed on the lobby level of the villa which is the only level that has balconies. These are the best rooms, and they were bloody gigantic. I understand that the standard rooms are rather snug, so would suggest spending the money to bypass these. The bathrooms are some of the best I’ve experienced. All white, with proper lighting so that girls can actually apply their makeup properly (wish other hotels would cotton on to this).
Public areas: The public areas of the hotel are fascinating, every nook and cranny has some weird or wonderful piece of furniture or art. Most of the 15th century style ceilings are intricately painted, there are gorgeous salons to lounge about in, beautiful gardens, a lovely pool and a spa.
Restaurant/Bar: There is a great bar and a wonderful restaurant.  I have no idea why the Restaurant Atelier doesn’t have even one Michelin star. It was miles better than the 2* Il Desco we went to in Verona one night, and the sommelier was fantastic. He introduced us to Ripasso which sees the unpressed grape skins that go into making the wonderful Amarones, added to the already blended and fermented Valpollicella wine to finish it off. This process adds body and character to the simple Valpollicella – and the results are hugely successful. I always buy them now as it’s cheaper and lighter than Amarone.
Service: Really wonderful. During the black hours of being lost in the northern Italian industrial hinterland, they actually sent a car to look for us (how Italian is that? Incredibly chivalrous, but completely illogical). They have shuttle-buses to take you in and out of Verona whenever you need, and they provide faultless hospitality.
Price: I remember we paid around €300 for one of the best rooms in the house in February, and they seem to do lots of specials and promotions at different times of year, including around opera season. Fantastic that it is open year-round.
Location: via Cedrare, 78, 37020 Corrubbio di Negarine (Verona) – Italy. Tel +39 045 6855555, reservation@byblosarthotel.com. Corrubbio is just under 10km from the centre of old Verona.
We loved the hotel. It was completely bonkers, and service and food were truly excellent. Just make sure that you have a map and good directions as it’s a bitch to find. Fortunately there were lots of prostitutes on the outskirts of Verona who we could ask for directions !@?$*
Before we ended up in Verona we had decided that we wanted to stop off at the lakes on our way to Venice, but nothing was open at this time of year. I’m so pleased we went there, as the old town is beautiful, the restaurants are world-class and it’s slap bang in the middle of a wine producing region. I’d definitely go back.

Review:

I’m going to resist the temptation to post lots of photos of this hotel, and would recommend that you don’t look at the website too deeply (or at all) before you book, leave it as a surprise…

villa_amista_caustic_candyTo have somewhere like the Villa Amistà sprung on you after a particularly long and harrowing journey, is disconcerting to say the least. Our concierge service had booked us in earlier that same day after we could only find one rather depressing hotel on Lake Garda that was open in February, and had suggested that Verona was our best bet.

We were told the hotel was in a refurbed villa, and housed a large collection of modern art. What she should have said was, “I’m booking you into this hotel – it’s completely bonkers, but trust me, you’ll love it.”

It’s as if a madman had got control of the Hadron Collider and decided to see what happens when he placed a 15th century Italian villa complete with contents, a bunch of paints and a hiccuping Murano glass blower inside and thrown the switch. The result is startling.

I must admit that when I first walked in, drained and jaded from the schlep from Milan via Garda (many times via Garda in fact, but let us not dwell on the dark moments of our lives), I did think “Holy Crap, what the f**k has our lifestyle manager done to us? This place is preposterous.”

To say that it houses a collection of art is an understatement, it is in it’s entirety, one carefully constructed installation piece. It’s vibrant, irreverent and whimsical, but there is also a strong vein of elegance running throughout. Dino Facchini, the owner of Byblos, houses a big chunk of his personal art collection here, and he uses the villa to showcase all the pieces of his Byblos Casa operation, so you can walk out with an armchair if it takes your fancy.

villa_amista_caustic—candy1Rooms: We stayed on the lobby level of the villa which is the only floor that has balconies. These are the best rooms, and they were bloody gigantic. I understand that the standard rooms are rather snug, so would suggest spending the money to bypass these. The bathrooms are some of the best I’ve experienced. All white, with proper lighting so that girls can actually apply their makeup easily, (wish other hotels would cotton on to this).

Public areas: The public areas of the hotel are fascinating, every nook and cranny has some weird or wonderful piece of furniture or art. Most of the 15th century style ceilings are intricately painted, there are gorgeous salons to lounge about in, beautiful gardens, a lovely pool and a spa.

Restaurant/Bar: There is a great bar and a wonderful restaurant.  I have no idea why the Restaurant Atelier doesn’t have even one Michelin star. It was obviously better than the 2* Il Desco we went to in Verona one night, and the sommelier was fantastic. He introduced us to Ripasso which sees the unpressed grape skins that go into making the wonderful Amarones, added to the already blended and fermented Valpollicella wine to finish it off. This process adds body and character to the simple Valpollicella – and the results are hugely successful. I regularly buy Ripasso now as it’s cheaper and lighter than Amarone.

Service: Really wonderful. During the black hours of being lost in the northern Italian industrial hinterland, they actually sent a car to look for us (how Italian is that? Incredibly chivalrous, but completely illogical). They have shuttle-buses to take you in and out of Verona whenever you need, and they provide faultless hospitality.

Price: I remember we paid around €300 for one of the best rooms in the house in February, and they seem to do lots of specials and promotions at different times of year, including around opera season. Fantastic that it is open year-round.

Location: Via Cedrare, 78, 37020 Corrubbio di Negarine (Verona) – Italy. Tel +39 045 6855555, reservation@byblosarthotel.com. Corrubbio is just under 10km from the centre of old Verona.

We loved the hotel. It was completely bonkers, and the service and food were truly excellent. Just make sure that you have a map and good directions as it’s a bitch to find. Fortunately there were lots of prostitutes on the outskirts of Verona who we could ask for directions !@?$*

Before we ended up in Verona we had decided that we wanted to stop off at the lakes on our way to Venice, but nothing was open at this time of year. I’m so pleased we went to Verona instead, as the old town is beautiful, the restaurants are world-class and it’s slap bang in the middle of a wine producing region – i.e. ticks all my holiday boxes really!

Venice in winter – the only time to go.

And so to Venice. There are only two things you need to heed if you are planning on visiting Venice:
Go in winter
Stay in Venice. Do not go as a day-tripper.
Why number 1? Venice is a stinking, teaming horror-pit in the summer.
By contrast, in winter the day trippers are still numerous but manageable, the light is fantastic for photos, the few hotels that are open will give you really good deals, and the restaurants that are open must be the ones able to survive on locals’ patronage, so must be amongst the best.
Why number 2? Avoid the crush of day-trippers and potter around the empty city at night.  Magic.
Part of the experience of Venice is about feeling smug lounging around in your palazzo whilst the hoards canter around the alleyways trying to see everything before their buses whisk them away.
Because the trippers have to see everything in a rush, they congregate around the big highlights, whereas you can stroll leisurely around the likes of Dorsoduro unmolested during the earlier parts of the day and then head across to the more touristy attractions later in the afternoon when the majority of visitors are dragging themselves away.
Places to stay: I stay in the Ca Maria Adele in Dorsoduro, as it’s stunning, tiny and the area is convenient to the all the places I want to go and is one of the quietest and most residential districts in Venice. I’ve had friends who have stayed at the Cipriani, and loved it, but the only reason to stay there really is that it’s got an outdoor pool, and if you are going in winter, you aren’t going to be taking advantage of that!
A short list of my favourite things:
Hotel: Ca Maria Adele, an utter gem, in my top 3 romantic hotels of all time, a tiny palazzo in a quiet, beautiful part of town.
Culcha: Peggy Guggenheim Collection (about 10mins walk from Ca Maria Adele).  Small, but perfectly formed collection of important modern art – Surrealism, Cubism, Abstract. Picasso, Pollock, Dali, Magritte – fantastic intro to modern art if it’s previously not been your thing.  Fascinating lady, fascinating little palazzo on the Grand Canal, lovely little garden and a tea room.
Coffee: Hotel Londra, sitting outside by the Piazza San Marco watching the world go by, overlooking the lagoon.
Restaurant: Antica Carbonara, super old-school restaurant serving Venetian cuisine.  The booths are made from the timbers of an old Hapsburg yacht and the supporting pillars are from the masts. We stumbled on this place at 10pm one cold February evening, and it was jammed with locals.  Down a tiny alley, tucked away. Great find.
Transport: forget the gondolas. The real treat in Venice is flashing around in the Rivas.  They are one of my all time favourite makers of small boats, and it was brilliant zooming around town in them.
Walking: You will most likely spend a lot of time pounding the streets, it’s difficult to stop exploring the tiny alleys and canals. Dorsoduro is a lovely part of town to do this whilst you wait for the hoards to disperse.
In winter, the fact that many hotels and restaurants are closed can constrain where you stay and eat (for example the Cirpriani and Palazzo Barbarigo are both shut), but it means that there are so few tourists staying in the city that you really do have the place to yourself, and that is a fantastic opportunity that you should never pass by.

Venice

And so to Venice.

It really is mind boggling to think about how bonkers the merchant princes were to build Venice where they did and how they did. I’m fascinated by trading ports (must come from living in HK), and to me Venice is the ultimate collaboration of trade, engineering, art and architecture.

There is no denying that the city is now only a hollow carapace – what I’m trying to work out though is what that symbolises. A stark reminder of the vagaries of trade routes? Or the importance of diversifying your economy?  If the North East Passage becomes fully navigable in the next 15yrs will Hong Kong’s port be suddenly redundant? Anyway, I digress…

There are only two things you need to heed if you are planning on visiting Venice:

  1. Go in winter
  2. Stay in Venice. Do not go as a day-tripper.

Why number 1? Venice is a stinking, teaming horror-pit in the summer.

By contrast, in winter the day trippers are still numerous but manageable, the light is fantastic for photos, the few hotels that are open will give you really good deals, and the restaurants that are open must be the ones able to survive on locals’ patronage, so must be amongst the best.

Why number 2? Avoid the crush of day-trippers and potter around the empty city at night.  Magic.

Venice Canal Caustic Candy

Part of the experience of Venice is about feeling smug lounging around in your palazzo whilst the hoards canter around the alleyways trying to see everything before their buses whisk them away.

Because the trippers have to see everything in a rush, they congregate around the big highlights, whereas you can stroll leisurely around the likes of Dorsoduro unmolested during the earlier parts of the day and then head across to the more touristy attractions later in the afternoon when the majority of visitors are dragging themselves away.

A short list of my favourite things:

Hotel: Ca Maria Adele, an utter gem, in my top 3 romantic hotels of all time, a tiny palazzo in a quiet, beautiful part of town.

Culcha: Peggy Guggenheim Collection (about 10mins walk from Ca Maria Adele). Small, but perfectly formed collection of important modern art – Surrealism, Cubism, Abstract, Picasso, Pollock, Dali, Magritte – fantastic intro to modern art if it’s previously not been your thing. Fascinating lady, fascinating little palazzo on the Grand Canal, lovely little garden and a tea room.

Coffee: Hotel Londra, sitting outside on the terrace of their Do Leoni restaurant, by the Piazza San Marco watching the world go by, overlooking the lagoon.

Restaurant: Antica Carbonera, super old-school, centuries old restaurant serving Venetian cuisine close to the Rialto bridge. The booths are made from the timbers of an old Hapsburg yacht and the supporting pillars are from the masts. We stumbled on this place at 10pm one cold February evening, and it was jammed with locals. Down a tiny alley, tucked away. Great find.

Transport: forget the gondolas. The real treat in Venice is flashing around in the Rivas. They are one of my all time favourite makers of small boats, and it was brilliant zooming around town in them.

Walking: You will most likely spend a lot of time pounding the streets, it’s difficult to stop exploring the tiny alleys and canals. Dorsoduro is a lovely part of town to do this whilst you wait for the hoards to disperse.

In winter, the fact that many hotels and restaurants are closed can constrain where you stay and eat (for example the Cirpriani and Palazzo Barbarigoare both shut), but it means that there are so few tourists staying in the city that you really do have the place to yourself, can eat where the Venetians themselves do, cutting out a lot of tourist clutter and the light is so very pretty for photos.

Venice in the winter light